Sat, April 18, 2026 at 4:00 PM
PERSONAL NOTE: NEW YORK
Concert Series by Students of the Concert Curation Course at the Barenboim-Said Akademie
Pierre Boulez Saal - Mozart Auditorium
Personal Note is a concert series conceived, curated, and performed by the students of the Barenboim-Said Akademie’s Concert Curation course. Under the direction of Prof. Yael Kareth, the course empowers young musicians to connect performance with storytelling, audience engagement, and cultural relevance. Participants are invited to rethink the concert as a social and cultural space, exploring what it can communicate and how it can resonate today, while refining their own artistic voices. Questions such as “What story do I want to tell with my music?”, “For whom is it meant?”, or “What kind of aesthetic and emotional experience do I wish to create?” are at the heart of the process. The result is a series of concerts in an intimate, open atmosphere that fosters a genuine connection between performers and audience.
This season’s series is dedicated to the theme “Musical Metropolises.” Four concerts focus on the cities of Vienna, Paris, New York, and Berlin—places with a rich musical history and a vibrant present. The programs explore composers, musicians, and movements from different eras that have shaped the cultural heritage of these cities, emerging from a process of collaboration in which the students contribute their individual perspectives and creative voices.
Program 3: New York
In New York, worlds collide and fuse into something radically new. Syncopations, sirens, and melodies coexist; jazz meets opera, Broadway meets the Philharmonic. For many people who came from Europe, this city was a new beginning—a place where American-born artists such as Gershwin, Copland, and Bernstein side by side with immigrants like Korngold and Weill invented the sound of modern life. In their footsteps, John Cage, Steve Reich, Philip Glass, and Elliot Carter created the American school. New York pulses with freedom and velocity, an ever-evolving musical laboratory.
Artists
program
George Gershwin
I Got Rhythm
The Man I Love
Arranged for Piano by the Composer
Samuel Barber
Adagio for Strings Op. 11
George Gershwin
Prelude for Piano No. 1
Bess, You Is My Woman Now
It Ain’t Necessarily So
Arranged for Violin and Piano by Jascha Heifetz
Thomas Demenga
New York Honk for Piano and Cello
Steve Reich
Clapping Music
Amy Beach
Romance for Violin and Piano Op. 23
Elliott Carter
Scrivo in Vento for Solo Flute
Mark Glentworth
Blues for Gilbert for Solo Vibraphone
John Cage
4′33″
Liri Ronen
Verdant Place for Horn and Piano
European Premiere
impressions from past concerts

















PARTNER
YOUR VISIT
How To Get There
Mozart Auditorium
Barenboim-Said Akademie
Französische Straße 33d
10117 Berlin
Germany
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Public Transport
U-Bahn U2 Hausvogteiplatz, U5 Museumsinsel, U6 Unter den Linden
S-Bahn S / U Friedrichstraße
Tram M1, 12 Mitte / Am Kupfergraben
Bus 147 Werderscher Markt; 100, 300, N5 Staatsoper
Bicycle
Bicycle racks are available on the street “Hinter der Katholischen Kirche.”
Car
Q-PARK parking garage Unter den Linden / Staatsoper
Bebelplatz 2
10117 Berlin
Theater rate (5.30 pm – 11.30 pm, paid in advance): €10
Please note there is a construction site across from the hall on Französische Straße. The street is narrowed, and cars or taxis are not allowed to stop in front of the Pierre Boulez Saal entrance.
Accesibility
To book wheelchair-accessible seating, other seats for visitors with disabilities, or companion seats, please contact us directly.
+49 30 4799 7411
tickets@boulezsaal.de
All wheelchair seats are accessible by elevator.
In order to make access as easy as possible, we kindly ask that you inform us of your requirements when booking your tickets.
Restrooms for visitors with disabilities are located in the basement and on the first floor.
Four parking spaces for visitors with disabilities are available on the street "Hinter der Katholischen Kirche".